Techno Rumble Ableton (a.k.a. Rumble Kick)

This is a quick tutorial on how to make that booming techno rumble sub in Ableton. It is one of the most common questions asked on techno forums and the like. You can download the Ableton file with all my settings below, it uses built-in Ableton instruments, effects and samples.

Note: I updated this article in May 2024 with a video, you can watch that below for a quick run through of how to make a rumble sub.

The finished techno rumble kick sounds like this (you might need headphones as it is just a kick and big sub bass):

See also: our paid packs at our Shopify store (60% off with this link).

See also: Studio Brootle 909 Sample Pack, Free Techno Kick Sample Pack.: all our sample packs, and all our drum pattern guides including Techno Drum Patterns and House Drum Patterns.

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How To Make a Techno Rumble Kick In Ableton (video)

I made this video which cover the basics with 2 different techniques: a short rumble that makes a kick more booming, and a second, longer rumble that pulsated and pump on the off beats. Both are made with reverb, E.Q. and distortion with stock plugins.

Both mothers take the kick, and copy it, then add a lot of reverb, and then EQ is to leave just the sub bass. Then they are distorted for character. Sidechain is used to make the longer one pump.

The kick and reverb are grouped and then distorted with a Drum Buss and compressed together so they sound ‘as one’.

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How To Make a Techno Rumble Kick In Ableton (quick method with screenshots…)

A typical techno rumble kick is a sub bass made out of a copy of the kick drum with processed reverb, here’s a run down of the process we use:

1. Overdrive a 909 kick drum
2. Copy the kick drum to a second channel, add (short) reverb to it, EQ out the highs and saturate it into a nice low sub bass rumble.
3. Then mix the kick and the rumble sub together and compress slightly to glue together.

Here’s what it sounds like….

Read on for a full explanation of how to make this sound….

Classic techno bass

You can find this sound in classic Tresor records and old Mills sets, and still find it used today in many productions, you even hear it in some of the more mainstream techno that is popular at the moment from the likes of Drumcode aswell as the harder and tougher industrial techno that is associated with DJs like Perc. It is a really useful production method to learn.

Because the kick and the sub bass come from the same sound source (the kick) they have similar tonal qualities and it give the beat rally nice effect where the kick and sub seem to be the same thing. The bass feels like an extension of the kick.

We’ll run through a really simple version here, but you can tweak it as much as you like and use different types of processing on the bass or the kick. Small changes can go a long way.

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Step 1: Processing a 909 kick

We take the the 909 core kick in Ableton and make a standard four-to-the-floor kick pattern. I then add overdrive to the kick to give it a bit of grunt. 🙂

It should sound like this:

Step 2: Make a reverb rumble bass from the kick

I copy the kick track from step 1 to a second channel so there are 2 kick channels the same, and then I add reverb to the second one with the settings as in the image below.

This adds a cavernous sound to the kick. But it needs processing… I overdrive it and saturate it and e.q .it to bring out the reverb a bit, but also to tame it with the e.q. so it is only in the low end.

I then Saturate and eq again for the same reasons as above.

Just this channel soloed should sound like this, a booming sub at the same frequency as the kick.

Step 3: Glue the kick and sub with compression

I group the tracks. And add an Ableton glue compressor to it to bring both the kick and sub elements together.

The finished techno rumble kick sounds like this:

Some other things to try

You can experiment much more with this, here’s some other things to try… You can add almost any kick into this chain, some will work very well. Often it is a good idea to trim the tail of the kick with the sampler/simpler envelope settings so the kick tail is not too long.

You can try different midi – for example you could move the rumble to start on the off beat. You can also use side-chaining to tame the reverb . You can obviously distort/saturate the group – things will get industrial very quickly!

Let us know how to you get on… and give us a follow on IG, we’ll be posting daily there soon: https://www.instagram.com/studiobrootle/

Please take a look at our other VCV Rack and techno posts and you might like these other articles we wrote…. Dub Techno Tutorial Ableton, EBM Bassline Tutorial: Ableton, Dance Mania Influenced Beat and Rolling Techno Bassline Ableton